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Whitey Ford Sings the Blues | ||||
---|---|---|---|---|
Studio album by | ||||
Released | September 8, 1998; 21 years ago | |||
Recorded | 1997–98 | |||
Genre | Blues, rock, blues rock, hip hop | |||
Length | 55:07 | |||
Label | Tommy Boy | |||
Producer |
| |||
Everlast chronology | ||||
|
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
AllMusic | [1] |
Robert Christgau | [2] |
Whitey Ford Sings the Blues is the second solo studio album by American recording artist Everlast, and the first one following his departure from House of Pain. It was released on September 8, 1998 via Tommy Boy Records, a full eight years after his solo debut album Forever Everlasting and after he had a major heart attack.[3][4] 'Whitey Ford' in the album title refers to the New York Yankees pitcher with that name.[3]
The record was both a commercial and critical success (selling more than 3 million copies) and went 2x Platinum according to RIAA. It peaked at No. 9 on the Billboard 200. Its hit single 'What It's Like' became the artist's most popular and successful song, which received him a Grammy Award nomination for Best Male Rock Vocal Performance at 42nd Annual Grammy Awards. has reached No.1 on Billboard Alternative Songs.
Whitey Ford Sings the Blues blended rap with acoustic and electric guitars, developed by Everlast together with producers Dante Ross and John Gamble. The album primarily incorporates a mix of musical styles such as blues, rock and hip hop.
Singles[edit]
Whitey Ford Sings the Blues produced five singles: 'What It's Like', 'Painkillers', 'Money (Dollar Bill)', 'Ends', and 'Today (Watch Me Shine)'. Its lead single 'What It's Like' peaked at No. 1 on the BillboardHot Mainstream Rock Tracks and Hot Modern Rock Tracks. 'Ends' peaked at No. 7 on the BillboardAlternative Songs, 'Today (Watch Me Shine)' peaked at No. 12 on the Ö3 Austria Top 40, and the other two did not appear in main music charts. 'Painkillers' appeared in 1999 Jet Li starring-in film Black Mask.
Track listing[edit]
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | 'The White Boy Is Back' | 0:45 | ||
2. | 'Money (Dollar Bill)' (featuring Sadat X) |
| 3:14 | |
3. | 'Ends' |
| 4:33 | |
4. | 'What It's Like' | Schrody |
| 5:03 |
5. | 'Get Down' | Schrody | 3:59 | |
6. | 'Sen Dog' | 0:15 | ||
7. | 'Tired' |
| 2:22 | |
8. | 'Hot to Death' |
| Divine Styler | 3:49 |
9. | 'Painkillers' | Schrody | Siba Giba | 3:23 |
10. | 'Prince Paul' |
| 0:59 | |
11. | 'Praise the Lord' |
| E-Swift | 3:05 |
12. | 'Today (Watch Me Shine)' (featuring Bronx Style Bob) | Schrody | 5:02 | |
13. | 'Guru' |
| 0:17 | |
14. | 'Death Comes Callin' |
| 4:16 | |
15. | 'Funky Beat' (featuring Casual and Sadat X) |
| 4:03 | |
16. | 'The Letter' |
| 2:06 | |
17. | '7 Years' |
| 4:04 | |
18. | 'Next Man' |
| 3:52 | |
Total length: | 55:07 |
Notes
- 'The White Boy Is Back' is a cover song of 'The Fat Boys Are Back' by Fat Boys, performed by Kia Jeffries
- 'Ends' features background vocals by Bronx Style Bob
Samples[5]
- 'The White Boy Is Back' contains samples of 'The Fat Boys Are Back' by Fat Boys (1985)
- 'Money (Dollar Bill)' contains samples of 'Go No Further' by Olympic Runners (1975) and 'Money (Dollar Bill Y'all)' by Jimmy Spicer (1983)
- 'Ends' contains samples of 'Rebirth' by Gershon Kingsley (1970), 'C.R.E.A.M.' by Wu-Tang Clan (1993), and 'Friends' by Whodini (1984)
- 'What It's Like' contains samples of 'Say It Loud, I'm Black and I'm Proud' by James Brown (1968)
- 'Get Down' contains samples of 'Bumpin' Bus Stop' by Thunder and Lightning (1974) and 'Impeach the President' by the Honey Drippers (1973)
- 'Tired' contains samples of 'Kool Is Back' by Funk, Inc. (1971)
- 'Painkillers' contains samples of 'Until It's Time for You to Go' by Grover Washington Jr. (1971)
- 'Praise the Lord' contains samples of 'DWYCK' by Gang Starr & Nice & Smooth (1992)
- 'Today (Watch Me Shine)' contains samples of 'Everybody Loves the Sunshine' by Roy Ayers Ubiquity (1976)
- 'Death Comes Callin' contains samples of 'Gotta Learn How to Dance' by the Fatback Band (1975), 'Funky Drummer' by James Brown (1970), 'Change the Beat (Female Version)' by Beside (1982)
- 'Funky Beat' contains samples of 'Beat Bop' by Rammellzee & K-Rob (1983)
- '7 Years' contains samples of 'Hard to Handle' by Otis Redding (1968) and 'Spoonin' Rap' by Spoonie Gee (1979)
- 'Next Man' contains samples of 'Tropical Scene' by The Jonny Teupen Group (1977)
Personnel[edit]
Adapted from Discogs[6]
Vocalists
- Eric Francis Schrody - vocals (tracks 2-5, 7-9, 11-12, 14-18)
- Derek Murphy - vocals (track 2, 15)
- Bob Khaleel - vocals (track 12), backing vocals (track 3)
- Jon Owens - vocals (track 15)
- Kia Jeffries - vocals (track 1)
- Senen Reyes - voice (track 6)
- Paul Edward Huston - voice (track 10)
- Keith Edward Elam - voice (track 13)
Instrumentalists
- Eric Francis Schrody - guitar (track 3-4, 14, 17), scratches (track 5, 12), keyboards (track 14)
- Dante Ross - drum programming & scratches (track 15); piano, bass & strings (track 16)
- Keith 'Keefus' Ciancia - keyboards (track 1, 5, 17)
- Nightrain Merlot - bass (track 3, 8, 12)
- Giovanni Loria - string arrangement (track 4), bass (track 5, 17)
- Ben Bocardo - bass (track 4)
- Elizabeth Wright - cello (track 4)
- Stephan Cullo - keyboards (track 4)
- John Wang - viola (track 4)
- Alen C. Agadhzhanyan - first violin (track 4)
- Jacqueline Suzuki - second violin (track 4)
- Darren Robinson - guitar (track 12)
- John Norwood Fisher - bass (track 14)
- Melvin Babu - scratches (track 14)
- DJ Daz - scratches (track 14)
- John Gamble - bass (track 15)
- Geoff Gallegos - tenor saxophone (track 17)
- Dan Osterman - trombone (track 17)
- Todd M. Simon - trumpet (track 17)
Technicals
- John Gamble - producer (tracks 1-7, 10, 12-18), mixing (track 3-5, 7, 9, 12, 14-18), engineer (tracks 1-5, 7-8, 11-12, 14-18)
- Dante Ross - producer (tracks 1-7, 10, 12-18), mixing (track 3-5, 7, 12, 14-17), executive producer
- Jamie Staub - mixing (tracks 3-5, 8, 11-12, 14-15, 17)
- Mark Richardson - producer & mixing (track 8)
- Eric Brooks - producer & mixing (track 11)
- Siba Giba - producer (track 9)
- Eric Francis Schrody - executive producer
- Carl Stubner - executive producer
Additional
- Dante Ross - A&R direction
- Max Nichols - A&R direction
- Jason Rand - art direction, design
- Keith Carter - photography
Charts[edit]
Chart (1998-2000) | Peak position |
---|---|
Australian Albums (ARIA)[7] | 29 |
Austrian Albums (Ö3 Austria)[8] | 14 |
Canadian Albums (Billboard)[9] | 8 |
Dutch Albums (Album Top 100)[10] | 66 |
German Albums (Offizielle Top 100)[11] | 12 |
New Zealand Albums (RMNZ)[12] | 28 |
Swiss Albums (Schweizer Hitparade)[13] | 20 |
UK Albums (OCC)[14] | 19 |
US Billboard 200[15] | 9 |
US Independent Albums (Billboard)[16] | 14 |
US Heatseekers Albums (Billboard)[17] | 1 |
Whitey Ford Sings The Blues
Certifications[edit]
Sings The Blues Crossword
Region | Certification | Certified units/sales |
---|---|---|
United States (RIAA)[18] | 2× Platinum | 2,000,000^ |
*sales figures based on certification alone |
References[edit]
- ^Henderson, Alex. 'Whitey Ford Sings the Blues – Everlast'. AllMusic.
- ^Christgau, Robert. 'Robert Christgau: Album: Everlast: Whitey Ford Sings the Blues'. Robert Christgau.
- ^ abMukherjee, Tiarra (September 29, 1998). 'Everlast's White Boy Blues'. Rolling Stone.
- ^Rabin, Nathan (March 29, 2002). 'Everlast: Whitey Ford Sings The Blues'. The A.V. Club.
- ^'Whitey Ford Sings the Blues by Everlast: Album Samples, Covers and Remixes'. WhoSampled. Retrieved 2017-03-07.
- ^'Everlast - Whitey Ford Sings The Blues'. Discogs.
- ^'Australiancharts.com – Everlast – Whitey Ford Sings the Blues'. Hung Medien. Retrieved April 24, 2019.
- ^'Austriancharts.at – Everlast – Whitey Ford Sings the Blues' (in German). Hung Medien. Retrieved April 24, 2019.
- ^'Everlast Chart History (Canadian Albums)'. Billboard. Retrieved April 24, 2019.
- ^'Dutchcharts.nl – Everlast – Whitey Ford Sings the Blues' (in Dutch). Hung Medien. Retrieved April 24, 2019.
- ^'Offiziellecharts.de – Everlast – Whitey Ford Sings the Blues' (in German). GfK Entertainment Charts. Retrieved April 24, 2019.
- ^'NZ Top 40 Albums Chart'. Recorded Music NZ. Retrieved April 24, 2019.
- ^'Swisscharts.com – Everlast – Whitey Ford Sings the Blues'. Hung Medien. Retrieved April 24, 2019.
- ^'Official Albums Chart Top 100'. Official Charts Company. Retrieved April 24, 2019.
- ^'Everlast Chart History (Billboard 200)'. Billboard. Retrieved April 24, 2019.
- ^'Everlast Chart History (Independent Albums)'. Billboard. Retrieved April 24, 2019.
- ^'Everlast Chart History (Heatseekers Albums)'. Billboard. Retrieved April 24, 2019.
- ^'American album certifications – EVERLAST – WHITEY FORD SINGS THE BLUES'. Recording Industry Association of America. Retrieved April 24, 2019.If necessary, click Advanced, then click Format, then select Album, then click SEARCH.
Los Angeles, California, United StatesАльбомы
02. Black Jesus
03. Today
04. Broken
05. Stone In My Hand
06. Weakness
07. Children's Story
08. Stay
09. My Medicine
10. Lonely Road
11. Grandma's Hands (Bill Withers's Cover)
12. Jump Around?
02. Gone for Good
03. I Get By (Tom Waits Cover)
04. Little Miss America
05. My House (feat. DJ Lethal)
06. Long Time
07. Friday the 13th
08. EveThe Crown
09. Sixty-Five Roses
10. Moneymaker
11. The Rain
12. Some of Us Pray
13. I'll Be There for You (Bronx Style Bob's Cover)
14. Even God Don't Know
15. A Change is Gonna Come (Sam Cooke's Cover)
16. Everyone Respects The Gun (Bonus Track)VBR V0
17. Final Trumpet (Bonus Track) VBR V0
18. Black Coffee (Live Acoustic, Bonus Track) VBR V0
19. What It's Like (Live Acoustic, Bonus Track) VBR V0
20. White Trash Beautiful (Live Acoustic, Bonus Track)VBR V0
21. I Get By (Tom Waits Cover, Acoustic, Preorder Bonus Track) CBR 320kbps
02. Folsom Prison Blues (feat. B-Real & DJ Muggs, Johnny Cash cover)
03. Stone In My Hand
04. Anyone
05. Die In Yer Arms
06. Friend
07. Everyone
08. Naked (feat. DJ Lethal)
09. Stay
10. Letters Home From The Garden Of Stone
11. Tuesday Morning
12. Throw A Stone
13. Weakness
14. Dirty
15. The Ocean
16. Let It Go
17. Saving Grace (Saving Grace `TV Series´ OST, 2007)
18. My Medicine (Demo) (Bonus Track) VBR V2
19. Maybe (Bonus Track) VBR V2
02. Broken
03. White Trash Beautiful
04. Sleepin' Alone
05. The Warning
06. Angel
07. This Kind Of Lonely
08. Soul Music
09. God Wanna
10. Lonely Road
11. Sad Girl
12. Ticking Away
13. Pain
14. 2 Pieces Of Drama
15. Maybe
02. Black Jesus
03. I Can't Move
04. Black Coffee (feat. Merry Clayton)
05. Babylon Feeling (feat. Carlos Santana)
06. Deadly Assassins (feat. B-Real)
07. Children's Story (feat. Rahzel, Slick Rick's Cover)
08. Love For Real (feat. N'Dea Davenport)
09. One And The Same (feat. N'Dea Davenport)
10. We're All Gonna Die (feat. Cee-Lo)
11. Mercy On My Soul (feat. Warren Hayes)
12. One, Two (feat. Kurupt)
13. Graves To Dig
02. Put Your Lights On (feat. Carlos Santana)
03. What It's Like (Live)
04. Jump Around (Live)
05. Only Love Can Break Your Heart (feat. The White Folx, Neil Young Cover, Big Daddy OST)
06. Some Nights (Are Better Than Others) (Gravesend OST)
07. Hot To Death (Live)
08. Blues For X'mas (John Lee Hooker Cover)
02. Money (Dollar Bill) (feat. Sadat X)
03. Ends
04. What It's Like
05. Get Down
06. Sen Dog
07. Tired
08. Hot To Death
09. Painkillers
10. Prince Paul
11. Praise The Lord
12. Today (Watch Me Shine) (feat. Bronx Style Bob)
13. Guru
14. Death Comes Callin
15. Funky Beat (feat. Casual & Sadat X)
16. The Letter
17. 7 Years
18. Next Man (CD Bonus Cut)
02. Speak No Evil (feat. Kool Nick)
03. Syndication (Remix)
04. What Is This?
05. The Rhythm (feat. Ice-T, Donald D & Diva)
06. I Got The Knack (feat. scratches by DJ Lethal)
07. On The Edge
08. Fuck Everyone
09. Goodbye
10. Pass It On
11. Never Missin' A Beat
2014 - Everlast - Gaza City Blues CBR 192kbps
2014 - Everlast - It Ain't Easy (Live from JRE) VBR V0
2013 - Death! Death! Die! - Smoked Out Clit (feat. Everlast) CBR 320kbps
2013 - Trinity - Sometimes (feat. Everlast)
2012 - KRS-One, Supernatural, Murs, Sick Jacken, Chali 2na, Tech N9ne & Everlast - Rock the Bells Anthem CBR 192kbps
2010 - Big B - Before I Leave Thise Place (feat. Everlast)
2010 - Cypress Hill - Take My Pain (feat. Everlast)
2010 - Danny Diablo - Sex And Violence (feat. Everlast & Tim Armstrong) VBR V0
2010 - DJ Muggs Vs. Ill Bill - Skull & Guns (feat. Everlast & Slaine of La Coka Nostra)
2010 - Slaine - The Last Song (feat. Everlast)
2009 - La Coka Nostra - Do It (feat. Everlast) VBR V2
2009 - Slaine - Nature of the Beast (feat. Everlast)
2009 - Swollen Members - Dumb (feat. Everlast & Slaine Of La Coka Nostra)
2008 - Everlast - Cash, Ass, Grass (feat. Greg Nice & Sadat X) CBR 160 kbps
2008 - Everlast - Dollar Bill CBR 160kbps
2008 - Everlast - Find a Way CBR 160kpbs
2008 - Ill Bill - Only Time Will Tell (feat. Necro, Tech N9ne & Everlast)
2008 - Ill Bill - Pain Gang (feat. B-Real & Everlast)
2008 - Snoop Dogg - My Medicine (feat. Willie Nelson & Everlast)
2007 - Danny Diablo - Street Legends (feat. Ill Bill & Everlast of La Coka Nostra) CBR 320kbps
2006 - B-Real - Family Ties (feat. Son Doobie, XL, Sen Dog, Sick Jacken, Willie Malo & Everlast, Remix)
2006 - B-Real - Flash Kharma (feat.Everlast & Chace Infinite)
2006 - Killing Zone - All Along The Watchtower (feat. Everlast) CBR 192kbps
2006 - Swollen Members - Put Me On (feat. Everlast & Moka Only)
2006 - The Lordz - The Brooklyn Way (feat. Everlast)
2005 - Danny Diablo - Rise Above (feat. Everlast, Ill Bill & G-Fella)
2005 - Everlast - Karma (feat. Edgecrusher) CBR 128kbps
2005 - Fredwreck - Dear Mr. President (feat. Everlast, Mobb Deep, The Alchemist, Mack 10, WC, Evidence, Defari, KRS-One, & B-Real)
2005 - Fredwreck - Down With U.S. (feat. Everlast, Tray Deee, Defari, Daz, J-Ro, RBX, Soopafly, Bad Azz, WC, Dilated Peoples, & Mac Minister)
2004 - Sick Of It All - Just Look Around (feat. Everlast)
2003 - DJ Muggs - Gone For Good (feat. Everlast)
2002 - X-Ecutioners - B-boy Punk Rock 2001 (feat. Everlast)
2001 - B-Real & Everlast - Laugh Now
2001 - Everlast - The Greatest (Ali OST)
2001 - Hom, Xzibit & Everlast - Shroomz Pt. IICBR 192kbps
2001 - Kurupt - Kuruption (feat. Everlast)
2001 - Limp Bizkit - Faith/Fame Remix (feat. Everlast)
2001 - Run DMC - Take The Money And Run (feat. Everlast)
2001 - Sway & King Tech - Akil & Everlast
2001 - Swollen Members - Bottle Rocket (feat. Evidence, Everlast & Divine Styler)
2001 - SX-10 - Ryhme In The Chamber (feat. Everlast & Moka Only)
2001 - XZibit & Everlast - Shroomz Pt. II
2000 - Cypress Hill - Superstar (feat. Everlast)
2000 - Dilated Peoples - Ear Drums Pop (Remix) (feat. Planet Asia, Defari, White E. Ford & Phil Tha Agony)
2000 - Everlast - Life's A Bitch
2000 - Everlast - Razor To Your Throat
2000 - Hesher - Whose Generation (feat. Everlast)
2000 - Mobb Deep - Shook Ones Part II (feat. Everlast)
1999 - Everlast - So Long (End of Days OST)
1999 - Korn - Freak on a Leash (feat. Everlast, Lethal Freak mix)
1999 - Prince Paul - Men In Blue (feat. Everlast)
1999 - Prince Paul - The Bust (feat. Everlast)
1997 - Everlast - Some Nights (Are Better Than Others) (Gravesend OST)
1997 - Lordz Of Brooklyn - Gravesend (Lake Of Fire) (feat. Everlast, Gravesend OST)
1994 - Nice & Smooth - Save The Children (feat. Everlast)
1993 - The Whooliganz - Hit The Deck (feat. Everlast) CBR 320kbps
1990 - Tairrie B - Vinnie Tha' Moocha (feat. Everlast)
1989 - ICE-T - What Ya Wanna Do?
- Tе треки которые не помечены битрейтом делались саморучно с лосслесса (CBR 320kbps).
- Битрейт помеченых треков варьирует от CBR 320kbps до CBR 128kbps.
- Tеги в порядке!
- Использованные программы: Foobar2000 v1.3.4 + Lame v3.99.5 + Mp3tag v2.77
Обозначение битрейта:
VBR V0 = ~245kbps
VBR V1 = ~225kbps
VBR V2 = ~190kbps
и т.д.
Upd: 6 May, 2016
- Добавил около 50 новых, не изданных и с гостевым участием Everlast'а, треков.
- В некоторых старых треках подправил тэги.
“The sound is totally different than anything I’ve ever done before,” says Everlast aka Erik Schrody, the Irish-American rapper and singer/songwriter
about his new album, Love, War and the Ghost of Whitey Ford and that’s saying something for the Grammy-winning artist who has broken ground and
sold millions of albums for mixing hip-hop and acoustic-based folk-rock.
“I didn’t approach it differently, I just kind of used a greater variety of instruments, and denser arrangements,” he explains. “Of course, hip-hop
remains an important influence on my music, but not everything I do fits under that category.”
The new album, his first since 2004’s Island/Def Jam release White Trash Beautiful, was co-produced by Everlast with his longtime partner Keefus
Ciancia (”He’s a real brainiac when it comes to vintage grooves”). Love, War and the Ghost of Whitey Ford is the logical sequel to his 1998 breakthrough,
the multi-platinum Whitey Ford Sings the Blues, an eclectic mix of rock, blues, country, pop and hip-hop, which cracked the Billboard Top 20 and sold
more than 3 million copies on the strength of its crossover hit, “What It’s Like.”
The following year, Everlast earned a Best Rock Performance by a Duo or Group With Vocal Grammy for his collaboration with Carlos Santana, “Put Your
Lights On.” Among the many artists with whom he’s collaborated are Madonna, Nice & Smooth, Dilated Peoples, Run DMC, Kurupt, Limp Bizkit, X-Ecutioners,
Cypress Hill, Prince Paul, Cee-Lo, Daz Dillinger, KRS-One, Mack 10, KoRn, Prodigy, Mobb Deep and Swollen Members.
Love, War and the Ghost of Whitey Ford will come out via management company Three Ring Projects’ innovative deal with Sony/ATV Music Publishing,
allowing Everlast unprecedented artistic freedom in the creating and distribution of his music.
“I get to do what I want, how I want,” he says. “Now I have the chance to promote the albums the way I see fit. I’m much more adaptable as an
individual than a label would be. I don’t want to follow the same old cookie-cutter ways of getting people’s attention.”
The Valley Stream, LI-born rapper emerged as a member of Ice-T’s Rhyme Syndicate for his 1990 solo album, Forever Everlasting, then formed the
pioneering rap group House of Pain with friends DJ Lethal and Danny Boy. Signed to legendary dance and hip-hop label Tommy Boy Records, the group
went multi-platinum with their self-titled 1992 debut which produced the rap anthem, “Jump Around.”
Upon the demise of House of Pain, Everlast pursued a solo career, creating the alter ego Whitey Ford for the first album on his own.
“That’s my hip-hop alias,” he explains. “There’s no connection to Whitey Ford other than the fact he’s Irish and I’m a Yankee fan. It’s a
description, a color of a crayon more than anything, a persona I use to speak through. It enables me to say things about myself I might not
ordinarily. Still, after the success of that album, there were a lot of people who actually thought I was Whitey Ford.”
Everlast revisits the Ford character for the first time since his critically acclaimed 2000 platinum solo album Eat at Whitey’s.
“This record is about love and war, which is why I called it that,” he says. “I’ve really changed the sound on what I do. It’s not so acoustic-based
anymore. There are different textures and it rocks a lot harder.
“People are hungry for good music and I believe this is a really good album. I’ve been making albums long enough to know nothing is guaranteed, but I’ve
got a feeling in my bones that I don’t get very often and I like it. I know I made a better album than I imagined I could have made…and I’m a hard person to please.”
More recently, Everlast was recruited by Nancy Miller, creator and executive producer for the TNT series Saving Grace, starring Holly Hunter, to create
the theme song for the show.
“The second I heard his voice, I went crazy over it,” she says. “He has such a sexy, interesting vocal. I feel in love with his music. His lyrics speak
so much to the struggle of Grace-her pain, her heroic nature-that I immediately connected to them.”
Everlast is similarly enthusiastic about expanding his creative palette, and now will begin to score the show.
“I’d love to be Danny Elfman and sit in the studio all day,” he says. “There’s a lot less pressure than having to write lyrics and songs. And I’m
such a movie fan, to see what the music really does, before and after, is pretty cool.”
Now fully recovered from the torn heart valve, which necessitated a replacement in 1998, Everlast is raring to hit the road and play for old
fans and make new ones while promoting the new album. He has already undertaken some “mash-up” performances with his producer Ciancia and
longtime collaborator, Cypress Hill’s DJ Muggs, which have audiences enthusiastic for more.
“I just want to go out and play to as many people as I can,” he says. “That’s what this album’s for. I don’t care if it sells a million records,
but if I can get a million people to come out and see me live, that’s even better.”
Martyr-inc.
on Last.fm, on Twitter, on Instagram
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